Blam has designed a set of perfume fountains for the new Caron boutique in Monaco, conceived to elevate the refill ritual. Its vertical structure is organized around five illuminated rings and backlit fluted tubes, hinting at the discreet mechanics within. As the centerpiece of the boutique, highlighted by the venue's architecture, the fountain defines the entire spatial layout. It also serves as a color-coordinated link to the perfumes displayed around the perimeter, thanks to the central tier housing the iconic Caron essences.

Blam designed a perfume fountain for the new Caron boutique on Rue Saint-Honoré in Paris, created to elevate the refill ritual. Its vertical structure is organized around three illuminated rings and backlit fluted tubes, hinting at the subtle mechanics within. As the centerpiece of the boutique, the fountain defines the entire architectural space. It also serves as a color-coordinated link to the perfumes displayed around the perimeter, thanks to the central tier housing the iconic Caron essences.

Zeus, Motion Fragment is a hybrid work between a painting and a sculpture, born from the opening ceremony of the Paris 2024 Olympic Games. It features the head of the horse Zeus emerging from the frame, revealing an aluminum structure beneath its silver-leaf surface that exposes the mechanics of the piece, bridging myth and engineering. The dense black background evokes the stage darkness of July 26, 2024, anchoring the piece in this historical lineage. Limited edition of 8 copies.

Ever since its memorable procession down the Seine during the Paris 2024 Olympic Opening Ceremony, Zeus has kept the magic alive. Celebrated across France during a nationwide tour, the mechanical horse continues to captivate audiences well beyond the Games. After stops at Paris City Hall, the Palace of Versailles, the MUCEM in Marseille, the abbey forecourt at Mont-Saint-Michel, and Cours Cambronne in its hometown of Nantes, the tour reaches its final destination: Paris’s Musée des Arts et Métiers, where Zeus will be on display until January 2027.

To celebrate its millennium in 2025, the city of Caen has enriched its heritage with Molecular Cloud, a monumental sculpture by Vincent Leroy. Developed and installed by blam, this installation of 31 mirror-polished stainless steel spheres bridges the gap between art and urban space. Inspired by theSpace Agemovement, the work combines engineering prowess through precision hydroforming with a celestial aesthetic, paying tribute to the city's artistic and scientific identity.

Since 2022, blam has been collaborating with Ronan Bouroullec on research into unique lighting fixtures that sit somewhere between a chandelier and a light sculpture, aiming to capture the essence of a solar halo. This work culminated in the Clair-Obscur exhibition (Galerie kreo, 2025), featuring 23 pieces. The system is built around a slender central rod that carries the electrical current, surrounded by blown-glass corollas that diffuse a soft, enveloping light. Available in three models, a wall sconce and two pendant lights with either three or four glass elements, the series is defined by its modularity: whether arranged in a circle, a curtain, or a free-form composition, the fixtures create an infinitely expandable landscape of light.

For the 2025 Victoires de la Bretagne, blam was commissioned to design and produce seventeen unique trophies. Crafted from recycled materials salvaged from iconic blam projects, they embody sustainable design and exceptional craftsmanship. The materials include gold-anodized aluminum from the Paris Olympic Cauldron, cupro-aluminum from the furniture at the Bourse de Commerce – Pinault Collection, aluminum scraps from Zeus (the mechanical horse from the 2024 Olympic opening ceremony), and "glaz"-colored glass beads that evoke the Breton seascape. This initiative underscores blam’s commitment to responsible, resource-conscious design.

For the Rolex Paris Masters new furniture competition, blam supported designers Mathilde Wittock and Geste04 in the technical development of their proposal. Reaching the final stage of the competition, a prototype armchair was presented to the jury. The entire furniture collection is designed around a unique material created from used tennis balls, assembled using a process patented by Mathilde Wittock. Formed from a single sheet of folded aluminum, the furniture is both robust and lightweight, and is powder-coated in the Rolex color palette. 

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For the international tour of the Cocteau Trilogy, in which Katia and Marielle Labèque perform Philip Glass’s Cocteau-inspired operas on piano, blam developed a chandelier suspended three meters above the pianists. A reinterpretation of the classic ceremonial chandelier, it combines 8,100 faceted glass beads with pixel-by-pixel lighting programming, synchronized to each piece performed. Designed for touring, it is fully demountable and can be assembled in one hour, having traveled since 2023 from Paris to Los Angeles, Seoul, London, Dublin, and Andorra.

Located at the Quai du Vent-Blanc as part of the 6th edition of Lausanne Jardins, the Jardin d'Éole installation makes the thermal breezes that sweep across Lake Geneva visible. An annular structure releases a continuous curtain of water, the movements of which are disrupted by the wind, revealing its direction and intensity and transforming the landscape into a shifting choreography. Pumped directly from the lake, the water circulates in a closed loop. A playful, poetic, and refreshing refuge, the installation invites us to reflect on the natural forces that shape the landscape and the quality of our future living environments.

Since its renovation in 2008, Apartment 50 at the Cité Radieuse in Marseille has invited designers to exhibit their work every year. In 2024, the duo Marie & Alexandre, supported by Galerie Signé, takes over this historic monument. Among their creations, the CR Dining Table was developed and manufactured by blam. Crafted from anodized aluminum and shaped using a custom-developed stamping technique, this piece is available in clear, pink, black, graphite, and champagne finishes.

A powerful symbol of the Paris 2024 Olympic and Paralympic Games, the Cauldron embodies both tradition and innovation. Its entirely electric flame is born from the meeting of a ring of mist and a beam of light, creating a vibrant, floating effect without actual combustion. A feat of unprecedented engineering, it breaks free from the ground to soar above Paris, offering a striking spectacle in the heart of the capital. Conceived by Mathieu Lehanneur and developed in collaboration with blam and EDF, this work is the result of extensive research into materials. Combining innovation and sustainability, it evokes a collective vision of unity, solidarity, and excellence.

Zeus is a monumental kinetic sculpture conceived and created by blam for the Opening Ceremony of the Paris 2024 Olympic Games, riding across the Seine as a symbol of hope and prowess. Born from a year of research, this aluminum horse blends 3D printing, hammered metalwork, precision machining, and silver leaf gilding. Resonating with Muybridge’s chronophotography, it brings the gallop to life frame by frame in metal, making this exceptional piece a rare dialogue between age-old craftsmanship and contemporary engineering.

During Milan Design Week 2023, Kvadrat unveiled a textile collection staged by Ronan Bouroullec. Blam produced the custom exhibition furniture, which included screens and candle holders.

Structurally, these masts combine a powder-coated steel base into which a carbon rod and a stainless steel handle are inserted. Following the event, the range was expanded to include mirrors, bud vases, and ceramic stands, and was subsequently exhibited at the Centre Pompidou and the Design Parade in Hyères.

In 2022, a collaboration began with Atelier LUMA to design two pavilions for Milan Design Week 2023, showcasing six years of research into ancestral resources from the Camargue region. The project features two micro-architectures exhibited in Milan’s former slaughterhouses. The Wool Pavilion takes the form of a circular, demountable metal structure inspired by weaving techniques, at the heart of which a robot weaves local Arlesian fiber. The Salt Pavilion repurposes blocks of agricultural salt stacked on a mirror-polished surface to create luminous columns.

Designed by Passage Office and manufactured by blam, La grande perche is a kinetic lamp inspired by the movement of ocean swells. Its anodized aluminum pole slides vertically on a base, allowing for easy adjustment of the lighting height.

Produced in a limited edition of just 12 pieces, this work combines precision mechanics with artisanal craftsmanship, featuring a hand-blown glass globe by Victor Stokowski. In March 2023, the piece was added to the collections of the Museum of Decorative Arts and Design in Bordeaux.

The renovation of the Centre-Val de Loire regional headquarters, led by ADT architects, celebrates the existing heritage by echoing the circular geometry of its hemicycle. Beneath the concrete ceiling sculpted by Maurice Calka in 1981, a monumental 22-meter aluminum chandelier appears to float. Discreetly attached to the ridges, this custom-made structure orchestrates the modularity of the assembly hall by supporting light strips and an acoustic stage curtain. A true technical and visual feat, this metal work of art has become the centerpiece of the project.

Located on the island of Gallo Lungo in the legendary Li Galli archipelago, a former refuge for sirens in Greek mythology and a residence for artists since the 20th century, Michael Anastassiades’ fountain integrates seamlessly into a unique landscape. Crafted entirely from copper-aluminum, this near-monolithic mast emphasizes raw material and clean, understated lines. Ten water jets, oriented toward symbolic destinations, create a minimalist work that connects the site’s history to the distant horizons that have surrounded it since ancient times.

In 2019, following the passing of Pierre Keller, the iconic director who transformed ÉCAL into a world-renowned design institution, his family invited his friend Ronan Bouroullec to design his gravesite in Saint-Saphorin, on the shores of Lake Geneva. To pay tribute to him, the designer conceived a tomb set on a bed of white stones, featuring a marble headstone, a tubular cupro-aluminum bench crafted by blam, and a lantern-style lamppost. Illuminated at night, this glass cylinder houses rotating artworks, serving as an ongoing exhibition to keep his memory alive.

Commissioned by François Pinault for the renovation of the Bourse de Commerce in Paris, the interior and exterior furniture was designed by Ronan and Erwan Bouroullec, then developed and manufactured with blam.

The installation features mobile cupro-aluminum structures topped with silver drapery, custom-made for the museum and arranged in a circle around the building. Serving as both outdoor furniture and urban signage, the collection engages in a dialogue with Tadao Andō’s architecture and the site’s historical heritage, while contributing to the contemporary Parisian landscape.

Designed by Dominique Perrault and Gaëlle Lauriot-Prévost for the Muz Yer trail in Rennes, Y’oiseau is an urban art installation located in the ZAC de la Courrouze. It brings together a dozen oscillating stainless steel poles, each topped with glazed ceramic nests. Developed in accordance with the recommendations of the Ille-et-Vilaine Bird Protection League (LPO), blam designed and manufactured this collection of nesting boxes tailored for tits (4.5m high) and nuthatches (5m high). Blam is producing them in a limited edition of 50 numbered pieces.

The series Bas-Reliefs, conceived by Ronan Bouroullec, brings together 30 unique works blending ceramic and aluminum. Blam handled the technical development and fabrication of the aluminum frames, designed without visible joints to become an integral part of the composition. The studio also developed a custom anodizing process, creating unique shades with reflections that shift according to the environment, enhancing each ceramic piece crafted by the designer. The series was featured in a dedicated exhibition at Galerie kreo in Paris.

Anchored in the Vilaine river six meters from the shore, this 11.30-meter-tall octagonal kiosk serves as a poetic lighthouse, connected to the quay by a suspension bridge. Its tubular lattice rests on eight hand-polished stainless steel masts, blending artisanal craftsmanship with industrial precision. Equipped with kinetic wind-driven elements and hand-blown glass light fixtures, the structure interacts with the breeze and the light, offering passersby a unique sensory experience above the river.

Located on the pedestrian Place Charles VII in Poitiers, a set of three Ring designed by Ronan and Erwan Bouroullec brings new energy to the public space. The design and manufacturing of the project follow the same production method used for the Ring at the Vitra Campus in Weil am Rhein (2018) and the seating installations developed by blam and Studio Bouroullec for the Kunsthal Aarhus (2017). The set is made of bent, welded, and galvanized steel.

Blam designed and manufactured the scale model for the Kiosque project, conceived by Ronan and Erwan Bouroullec and commissioned by Galerie kreo. Developed at a 1:10 scale to ensure the greatest possible fidelity to the full-scale assembly, the model illustrates the object's intended installation scenario and its portability. Special attention was paid to the roof system, which is deployed and secured via three fins. The main body is produced in powder-coated S235JR steel, with the interior lined in birch wood.

Ronan and Erwan Bouroullec were commissioned to reimagine the fountains of the Champs-Élysées in response to the growing demand for art in public spaces. The installation consists of six mobile structures made of bronze and crystal. Rising four meters from the ground, these luminous branches rotate slowly in a cascade of water, enhancing the Parisian perspective. Integrated with discretion and simplicity into their surroundings, the project relies on concealed mechanics, controlled energy consumption, and a closed-loop water system—the result of extensive collective expertise, notably in collaboration with the prestigious crystal manufacturer Swarovski.

Blam produced the seating Ring, installed on the Vitra Campus and designed by Ronan and Erwan Bouroullec. This circular platform is made of galvanized steel, ensuring its durability in outdoor environments. Encircling a cherry tree, this seating invites passersby to rest or to share a moment together face-to-face. Ring is a series produced by blam in several editions, also on display at the Kunsthal in Aarhus, the Kvadrat workshops, and in several French cities (Lille and Poitiers).

For the Kunsthal Aarhus in Denmark, blam developed and manufactured a set of four urban seating pieces designed by Ronan and Erwan Bouroullec, as part of the Ring series. Forming large rings up to 6m in diameter, these seats help create moments of pause in public spaces. They invite passersby to sit around a tree, a fire, or simply to foster collective moments. The entire set is made of steel, bent, welded, and then galvanized to ensure a durable installation.

In 2016, three Rennes-based institutions joined forces to showcase the work of designers Ronan and Erwan Bouroullec through four complementary exhibitions. For the exhibition Retrospective at the FRAC Bretagne, blam designed a custom suspended display table to showcase their major creations.

Drawing on the designers' signature style, modularity, clean lines, and visible joinery, this counterweighted system is elevated off the floor. Composed of 22 modules made of aluminum, steel, and wood suspended five meters high, the floating structure acts as a unifying element for the works on display.

Conceived by Ronan and Erwan Bouroullec, the traveling exhibition Urban Reveries explores new forms of city planning. The result of a year of research alongside blam, this project brings together thirteen modular principles, three of which have been prototyped at full scale, rethinking the role of water, vegetation, and color in the city. Presented as an immersive stroll featuring models, photos, and animations, the exhibition invites the public to reinvent urban space through a dive into new fictions, reactivating individual imaginations.

The 17 Screens exhibition, conceived by Ronan and Erwan Bouroullec, explores the concept of the suspended screen. The installation features seventeen modules that serve as lightweight, semi-perforated partitions. The project combines traditional weaving techniques with contemporary assemblies of ceramic, glass, anodized aluminum, textile, and wood. Thanks to a precise and reproducible construction system developed by blam, these experimental structures offer a flexible way to organize space, where material becomes a playful and accessible language.

Designed by Ronan and Erwan Bouroullec, the Kiosque is a modular, demountable pavilion for public spaces. Inspired by the architecture of Jean Prouvé, this project developed and manufactured by blam prioritizes structural rigor and mobility. Assembled in three hours thanks to a steel frame, a mobile shell, and a modular roof, each unit serves as an exhibition space, a shelter, and outdoor furniture. It has been deployed at the Jardin des Tuileries in Paris, the Parlement de Bretagne in Rennes, and across the Atlantic in Mexico.